Imaginary-brand concept
Same team. Different Animal. A rugby clash transforms into an animalistic sports-nutrition campaign.
AI filmmaking, live action and original storytelling. Human ideas. Unexpected transmissions.
Start with our selected films, or tune into client work, original worlds and independent concepts.
Selected films / 4 transmissions
A five-member music group with a world beyond a single release. Hendrikz and Kobain are the first two personas introduced through their established masks.
Explore LOTP ↗Team identity. Primal instinct. A rugby campaign that takes the beast within onto the pitch.
An independent Pirate TV concept for an imaginary sports-nutrition brand.
Music created by Shiloh McLean using Suno Pro.


Explore Rage Bait as a full film, a portrait study and a short hook. The two silent studies were edited for this website demonstration.
Full concept film / 01:36 / Original sound
Each format needs its own composition and edit. Campaign versions are scoped with the brief.
Plan your campaign ↗Three creative choices from the films. These are finished-film frames, showing how each story takes shape on screen.

CARDIP UK connects paint application with the transformed car. Colour carries the narrative.

Rage Bait turns different animal identities into a single team. The tagline links character design to the campaign idea.

LOTP carries Hendrikz and Kobain’s established masks through recurring characters, promos and heightened stories.
Adverts, music videos and cinematic concepts. Turn ambitious ideas into visual stories with a distinctive creative direction.
Live action with cameras, actors, music producers and engineers. Build the production around the idea, with AI where it serves the story.
Short-form hooks, campaign visuals and original characters. Create a world your audience has a reason to return to.
In-house music direction and AI-assisted soundtrack production. Music shaped around the film’s mood, rhythm and edit.
Choose what you are making. Explore a realistic starting point, then shape the production around the brief.
Transmission: AI advert starting prices for a defined production scope.
Bespoke visuals, human creative direction. Choose the scale of the story.
A short, sharp introduction to your product or idea.
Your signature advert, with an idea worth stopping for.
A bigger story. A more developed visual world.
One strong idea, built to travel across your channels.
Paid crew, actors where required, and AI where it serves the story. Final budgets depend on the brief and supplier quotes.
Real footage meets a few carefully chosen AI sequences.
Our sweet spot for a distinctive Hi-Jack production.
More people, more places, more room for the idea.
These starting prices cover AI production. Filmed or hybrid artist projects receive a separate crew-based quote.
Give the release a first visual spark.
A repeatable visual world for the whole track.
A story that carries the music beyond the song.
Shared brand assets, established styling and batch production. Three-month initial agreement, paid monthly in advance.
Keep your brand transmitting.
A steady rhythm of fresh creative.
A fuller content programme across the month.
All prices are in GBP, before VAT if applicable. Starting prices cover the stated scope; complex characters, effects, additional versions and usage can change the quote. AI advert packages include two consolidated feedback rounds: concept/style approval and first edit. Filmed productions are costed for crew, talent usage, equipment, locations, post-production and delivery.
Additional cutdowns£100–£200 each, from approved material.
Three alternative hooks£250–£450.
Simple extra aspect ratio£75; substantial reworking £150–£300.
Character / world development£1,000–£2,500 for an agreed development scope.
Voice & original musicQuoted to talent, production and usage.
Live action, events & pilotsIndividually scoped to crew and deliverables.
For the AI advert starting prices, Signal includes up to four shots, Transmission up to eight, and Transmission Plus up to twelve. These are planning allowances; shot complexity, character continuity, product accuracy and generation requirements affect the final scope. Takeover campaigns receive an agreed shot and asset plan.
We confirm deliverables, resolution, feedback rounds, timeline and usage before work starts. One-off projects normally use 50% to book and 50% before final delivery; larger projects can use milestones. External talent, locations, licences and specialist requirements are itemised. Advertising spend, posting and community management are separate. Retainers cover the stated monthly production scope; a new world or major campaign gets its own quote.
Live action brings the people, performances and physical detail. AI adds the scenes or visual transformations the brief needs. We plan the connection between them before the shoot.
Founded by Shiloh and Jason, friends who have known each other for years. Pirate TV brings together their creative direction and technical approach to filmmaking.
A creative director, scriptwriter, storyboard artist and music artist, Shiloh brings character, story and a distinctive creative eye to Pirate TV. His background spans rap, songwriting and original scripts, alongside a network of camera operators, actors, producers and music engineers.
His writing includes Opp Block, an original series project in development. He also creates music and the evolving visual world of LIFE OF THE PARTY, performing as Hendrikz within the five-member group.
At Pirate TV, he develops concepts, writes scripts, creates storyboards and directs the creative vision. With an eye for composition, atmosphere and memorable visual moments, he shapes how each story moves from the page to the screen, working closely with Jason to bring it to life.
Jason brings Pirate TV’s ideas to life on screen. As co-founder, he leads AI filmmaking, visual development and technical production, turning creative concepts into the images, characters and worlds that give each film its identity.
Working closely with Shiloh, he develops the look and feel of a project, exploring how imagery, movement and atmosphere can carry the story. His contribution is both creative and technical: shaping visual treatments, developing sequences and finding practical ways to bring ambitious ideas onto the screen.
From the first visual explorations to the finished sequences, Jason connects the concept with its execution. Across brand films and original worlds, his focus is on giving the work a consistent visual identity and making the audience feel part of the world being created.
Our original projects begin with characters, dialogue and a world worth exploring. Script development gives the visual work a narrative to follow.
An original scripted series project in development, built around intersecting characters, relationships and consequences.
Shiloh’s work on the project includes pilot scenes, dialogue and the wider series story. It forms part of the writing background he brings to Pirate TV’s film and pilot concepts.
Writing project in developmentBoth. We shape the production around the brief, using AI, live action or a combination where it helps the film.
Brand adverts, music videos, social campaign content and film or pilot concepts. We agree the creative approach and deliverables before production starts.
The product or idea, who it is for, where the film will appear, your deadline and an indicative budget. References help, but a finished script is not required.
We can scope different aspect ratios, lengths and edits for the channels you need. Agree these variants as part of the project brief.
These depend on the brief and production method. We discuss the schedule, scope and feedback stages before committing to the work.
Tell us the idea, who it is for and when you need it. The project brief below helps you prepare that first conversation.
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